Autobiography or Fiction?
Sarah Martin Sarah Martin

Autobiography or Fiction?

A friend recently asked how much of my writing is autobiographical. The truth is, most of my stories are sparked from a personal experience, a family memory, or a striking anecdote.

But what happens next is where the magic lies.

From Laetitia and Rick in Long Stay at Ryan’s Waterhole to Li Jie and Ming Lee in The Waterfall of Greater Understanding, my characters may have real-world origins, but they now inhabit a space entirely their own.

Read More
The Spark that lit the Fire Part 2
Sarah Martin Sarah Martin

The Spark that lit the Fire Part 2

For my novel In Plain Sight, the journey of my protagonist, Penny Matheson, didn’t begin with a plot twist, but with a sense of place. The true catalyst was a weekend of sharp contrasts: walking the historic, enclosed Eastern Beach Baths in Geelong, noticing a quiet quarry sign, and then returning home to Mount Martha to find a beloved, wild stretch of bushland completely flattened for development.

Fused with real-world research into severe trauma—and an unforgettable tapas lunch at MoVida—these sensory fragments ignited the twin storylines that underpin Penny’s emotional and professional evolution.

Read More
The spark that lit the fire
Sarah Martin Sarah Martin

The spark that lit the fire

I reckon it takes some kind of internal fire to commit to writing a novel. But every fire has to be lit by something – no matter how small a spark – and sometimes those sparks take a long time to land in the right place. In the case of my novel Finding Marco, the spark stayed dormant for over 10 years.

Read More
Scene from the window
Sarah Martin Sarah Martin

Scene from the window

The Coprosma, a weedy tree growing hard up against our bedroom window, had to go. But we hadn’t counted on the wattle birds.

Read More